1932.<\/strong> godine.<\/p>\n\n\n\nBio je to magazin koji je diktirao modne trendove, niko nije imao ve\u0107i uticaj na \u017eene od njega i koji je definisao njihov izgled. Nije imao uticaja samo na obi\u010dne \u017eene ve\u0107 i na poznate li\u010dnosti. Dosta njih su se na\u0161le na samim naslovnim stranicama. Sve one morale su biti odraz fenomenalnog stila i prefinjenog dr\u017eanja. <\/p>\n\n\n\n
Prva manekenka koja se na\u0161la na naslovnoj stranici bila je Toto Kupman<\/strong>, dok je prva glumica bila Odri Hepbern<\/strong>. Me\u0111u njima bile su i An\u0111elina D\u017eoli<\/strong>, Grejs Keli<\/strong>, Mi\u0161el Obama<\/strong>, princeza Dajana<\/strong>, Opra Vinfri<\/strong>, Hali Beri<\/strong>, Tina Tarner<\/strong> i mnoge druge koje su na mnogo na\u010dina velika inspiracija. One nisu bile samo lepe i uvek najmodernije obu\u010dene, ve\u0107 su i plenile svojom inteligencijom i dobrotom. Upravo je to ono \u0161to Voug \u017eeli predstaviti u svetu. Ba\u0161 zbog toga u njemu su se na\u0161le i mnoge sportistkinje. \u0160to se ti\u010de Srpkinja, manekenke Nata\u0161a Vojnovi\u0107<\/strong>, Ivana Stamenkovi\u0107<\/strong> i \u0110ur\u0111a Stoiljkovi\u0107<\/strong> imala su tu \u010dast da budu na naslovnici.<\/p>\n\n\n\nPravu modnu etapu zapo\u010dinje Diana Vrilend<\/strong>, glavna urednica Harper Bazara<\/strong>. Zahvaljuju\u0107i njoj 1963. <\/strong>godine po\u010dinje prava avangarda. Njena intuicija savr\u0161eno se uklapala sa svime onim \u0161to su donosile \u0161ezdesete, rok, hipi pokret, seksualnost\u2026 Bila je ne samo ma\u0161tovita ve\u0107 i toliko hrabra da se usudila da pojam lepote pro\u0161iri. Propagirala je neobi\u010dnost i razli\u010ditost. Upravo to je Voug predstavljao; lepota je u nesavr\u0161enosti i standardi koji su vladali do tad bili su promenjeni.<\/p>\n\n\n\nGrejs Mirab<\/strong>l uvodi nove promene, kao i na\u010din pisanja kada je postala glavni urednik 1973.<\/strong> godine. Tada nastaje novi trend, na deset strana uvedeni su editorijali na kojima su prikazani najnoviji modeli svetskih brendova.Vi\u0161e nije bio samo povr\u0161na zabava za bogate, ve\u0107 mentor koji oblikuje \u017eivot svakog \u010doveka koji prati modu i trendove. Po\u010dinje da izlazi jedanput mese\u010dno.<\/p>\n\n\n\nIpak tek od 1988.<\/strong> godine postaje broj jedan u \u010ditavom svetu. U tome je uspela dana\u0161nja rukovode\u0107a urednica Ana Vintor<\/strong> koja je donela sasvim novi stil. Svojim \u010dvrstim stavom i velikim zahtevima uspela je da sa\u010duva reputaciju \u010dasopisa i da ga pro\u0161iri na mnogo \u0161iru publiku. Fokus postaje pristupa\u010dnija moda. Lepa \u017eena je ona koja zna \u0161ta ho\u0107e i koja je uspe\u0161na u svom poslu. Voug predstavlja mnogo ve\u0107e ideale, lepota vi\u0161e nije samo u njenom spolja\u0161njem izgledu ve\u0107 i u jakom duhu i \u010dvrstom stavu.<\/p>\n\n\n\nUticaj Vouga na modu i dan danas se nije promenio, \u010dak \u0161ta postao je jo\u0161 uticajniji. Ni jedan stilista na svetu nema ve\u0107i sud na ne\u010diji stil odevanja od Ane Vintor. Svaki njen komentar smatra se zakonom broj jedan. Njena kritika je najva\u017enija. Zahvaljuju\u0107i tome \u0161to su uvek prvi predstavnici novih trendova Voug je za mnoge sa punim pravom modna biblija.<\/p>\n\n\n\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
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