Skulptura u javnom prostoru- anti\u010dka Gr\u010dka<\/figcaption><\/figure>\n\n\n\nAnti\u010dko doba<\/h2>\n\n\n\n
U anti\u010dkom vremenu, skulpture su bile klju\u010dni elementi javnih prostora, ukra\u0161avaju\u0107i trgove, vrtove, hramove i javne zgrade. Dok su Grci izra\u0111ivali skulpture bogova i heroja, Rimljani su skulpturama slavili svoje imperatore.<\/p>\n\n\n\n
Gr\u010dka skulptura<\/h2>\n\n\n\n
Gr\u010dka skulptura se razvila kroz tri glavna perioda: Arhajski<\/strong>, Klasi\u010dni<\/strong> i Helenisti\u010dki<\/strong>.<\/p>\n\n\n\nArhajski period<\/strong><\/h3>\n\n\n\nArhajski period je trajao od oko 650.<\/strong> do 480.<\/strong> p.n.e<\/strong>. Figure su pravljene da budu simetri\u010dne, imale su karakteristi\u010dan blagi osmeh, poznat kao arhajski osmeh. Na ovaj na\u010din umetnici su \u017eeleli da poka\u017eu \u017eivot i vitalnost.<\/p>\n\n\n\nNajpoznatije su statue mladih mu\u0161karaca i \u017eena, prozvane Kuros<\/strong> i Kora<\/strong>. Dok su Kurosi prikazivani kao goli, s mi\u0161i\u0107avim i sna\u017enim telima, Kore su bile obu\u010dene s ukra\u0161enim naborima na haljinama.<\/p>\n\n\n\nU po\u010detku su pravili skulpture pod egipatskim uticajem, pa su one sa rukama uz telo podse\u0107ale na egipatske statue. Me\u0111utim, kasnije su po\u010deli da se osloba\u0111aju od egipatskog uticaja i figure su sve vi\u0161e imale prirodan izgled. Postali su sve ve\u0161tiji u prikazivanju anatomije i pokreta. Kako se period bli\u017eio kraju, skulpture su postajale sve realisti\u010dnije.<\/p>\n\n\n\n
Simbolika i funkcija skulptura u ovom periodu slu\u017eile su kao simbol mo\u0107i, pobo\u017enosti i se\u0107anja. Kuros statue podizane su u \u010dast mladih heroja poginulih u ratovima. Bilo je to i zbog se\u0107anja na njih, ali i kao zahvalnost bogovima. Isto tako, Kora figure, koje su podizane u svetili\u0161tima, ozna\u010davale su zahvalnost i po\u0161tovanje.<\/p>\n\n\n\n
Klasi\u010dni period<\/strong><\/h3>\n\n\n\nPosle arhajskog perioda, ta\u010dnije 480. p.n.e.<\/strong> po\u010dinje klasi\u010dni period, koji traje do 323. p.n.e.<\/strong> Bilo je to zlatno doba i vrhunac gr\u010dke skulpture.<\/p>\n\n\n\nSkulpture su prikazivale ljudske figure skladnog i oblikovanog tela. Prikazane su sa savr\u0161enim proporcijama. Napravljene su tako da deluju kao da su pune energije i \u017eivota, \u010dak i dok samo stoje.<\/p>\n\n\n\n
Kako nisu bile samo ukras, ve\u0107 su izra\u017eavale kulturne i politi\u010dke vrednosti dru\u0161tva, klasi\u010dni period je bio doba procveta javne skulpture. Njihovi hramovi, trgovi i javni prostori bili su ukra\u0161eni skulpturama. Predstavljale su bogove, heroje i mitolo\u0161ke doga\u0111aje.<\/p>\n\n\n\n
Najpoznatiji umetnici ovog doba bili su Fidija<\/strong>, Poliklet<\/strong> i Miron<\/strong>. Fidijeva statua Atene Partenos<\/strong> napravljena je od zlata i slonova\u010de. Bila je najslavnije remek-delo tog doba. Poliklet je bio tvorac \u010duvenog Kopljono\u0161e<\/strong> koji je bio primer savr\u0161ene primene proporcija u skulpturi. Tako\u0111e je napisao delo Kanon u kojem su definisana pravila umetni\u010dke estetike. Mironov Baca\u010d diska<\/strong> predstavlja dinami\u010dnu figuru koja odr\u017eava perfekciju.<\/p>\n\n\n\nHelenisti\u010dki period<\/h2>\n\n\n\n
Od 323.<\/strong> do 31. p.n.e.<\/strong> traje Helanisti\u010dki period, kada figure postaju emotivnije i dinami\u010dnije. Obele\u017een je zna\u010dajnim promenama u umetnosti i skulpturi, kao posledica \u0161irenja gr\u010dke kulture.<\/p>\n\n\n\nUmetnici su prikazivali ljudske figure sa dubokim emocijama.Njihova dela su \u010desto bila ispunjena akcijom i pokretom, sa dramati\u010dnim prikazima straha, tuge ili ekstaze. Ove skulpture prikazuju realne situacije i svakodnevne ljude, \u010desto nagla\u0161avaju\u0107i njihove mane i slabosti. Umetnici su se bavili temama iz svakodnevnog \u017eivota, od istorijskih li\u010dnosti do obi\u010dnih ljudi koji se suo\u010davaju sa izazovima svakodnevice. Kroz svoja dela, oni su stvorili sna\u017ene vizuelne narative koji su omogu\u0107ili posmatra\u010dima da se poistovete sa prikazanim emocijama i situacijama, \u010dine\u0107i skulpturu ne samo umetni\u010dkim izrazom, ve\u0107 i ogledalom dru\u0161tva i ljudskog iskustva.<\/p>\n\n\n\n
Tokom helenisti\u010dkog perioda, uloga skulptura bila je da zadive posmatra\u010da. Postavljanjem na javnim prostorima, prenosile su emocije i nagla\u0161avale mo\u0107 i presti\u017e grada.<\/p>\n\n\n\n
Poznata dela iz ovog perioda bila su Laokoon i njegovi sinovi<\/strong>, Umiru\u0107i Gal<\/strong> i Afrodita iz Milosa<\/strong>.<\/p>\n\n\n\nGr\u010dka skulptura je ostavila neizbrisiv trag u umetnosti, inspirisav\u0161i umetnike u budu\u0107nosti. Osvetlila je savr\u0161eni balans izme\u0111u estetike, filozofije i ljudske prirode, i na taj na\u010din je njen uticaj postao univerzalan i vanvremenski.<\/p>\n","protected":false},"excerpt":{"rendered":"
Skulptura u javnom prostoru ima bogatu istoriju koja se prote\u017ee od anti\u010dkog do modernog doba. Ona predstavlja zna\u010dajan element umetnosti koji povezuje zajednice, oblikuje urbane pejza\u017ee i stvara identitet mesta. U anti\u010dkom vremenu, skulpture su bile klju\u010dni elementi javnih prostora, ukra\u0161avaju\u0107i trgove, vrtove, hramove i javne zgrade. Dok su Grci izra\u0111ivali skulpture bogova i heroja, Rimljani su skulpturama slavili svoje imperatore.<\/p>\n
Gr\u010dka skulptura se razvila kroz tri glavna perioda: Arhajski, Klasi\u010dni i Helenisti\u010dki. Tokom Arhajskog perioda (650-480 p.n.e.), figure su bile simetri\u010dne i karakterisane blagim osmehom, poznatim kao arhajski osmeh. Najpoznatije statue iz ovog perioda su Kuros i Kora, koje su predstavljale savr\u0161enstvo forme i vitalnost. U Klasi\u010dnom periodu (480-323 p.n.e.), gr\u010dka skulptura dostigla je vrhunac, prikazuju\u0107i ljudske figure sa savr\u0161enim proporcijama i izra\u017eavaju\u0107i kulturne i politi\u010dke vrednosti tada\u0161njeg dru\u0161tva. Umetnici kao \u0161to su Fidija, Poliklet i Miron ostavili su neizbrisiv trag na ovoj sceni.<\/p>\n
Helenisti\u010dki period (323-31 p.n.e.) doneo je emotivnije i dinami\u010dnije figure, koje su \u010desto prikazivale svakodnevne ljude i njihove \u017eivotne izazove. Ove skulpture su prenosile sna\u017ene emocije i omogu\u0107avale posmatra\u010dima da se poistove sa prikazanim situacijama. Tokom ovog perioda, skulpture su postale simbol presti\u017ea i mo\u0107i gradova, zadr\u017eavaju\u0107i zna\u010dajnu ulogu u oblikovanju javnog prostora.<\/p>\n
Gr\u010dka skulptura je ostavila neizbrisiv trag u umetnosti, inspiri\u0161u\u0107i umetnike kroz vekove. Njena sposobnost da pove\u017ee estetiku, filozofiju i ljudsku prirodu \u010dini je univerzalnom i vanvremenskom.<\/p>\n","protected":false},"author":1,"featured_media":3680,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_layout":"default_layout","footnotes":""},"categories":[159],"tags":[1091,1093,1102,1098,1096,1095,1103,1092,1094,275,1097,1100,1099,1090,1101,1061],"class_list":["post-3678","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-umetnost","tag-anticka-grcka","tag-arhajski-period","tag-emocije-u-skulpturi","tag-fidija","tag-grcka-umetnost","tag-helenisticki-period","tag-istorija-umetnosti","tag-javni-prostor","tag-klasicni-period","tag-kultura","tag-kuros-i-kora","tag-miron","tag-poliklet","tag-skulptura","tag-umetnicki-izrazi","tag-umetnost"],"yoast_head":"\n
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